Faded pastel colours provide a dynamic substrate within which motifs suggesting corrupted information are suspended. The Shaming of the True plays on the title of the Shakespeare drama, The Taming of the Shrew, a reaction to the web driven global trend for the manipulation of information to suit a particular agenda. The work is an expressesion of personal tension: a generational perspective caught between established knowledge, scientific fact and shifting cultural discourse. It is a visual emotional self-portrait, a reflection on navigating an ever changing landscape of uncertainty, belief, and belonging and sublimation of groups of thought into generational clichés.