
Junky presents a heavily textured surface in which layers of paint and material are built up, eroded, and fragmented, producing
Updates featuring new work, works in progress, events or anything news worthy.

Junky presents a heavily textured surface in which layers of paint and material are built up, eroded, and fragmented, producing

Untitled (Black Hill Transmitter)
Growing up tethered to an analog source of television transmission and everything which that entails, the broadcast signal from the

Untitled (The Shaming of the True)
Faded pastel colours provide a dynamic substrate within which motifs suggesting corrupted information are suspended. The Shaming of the True

Three distinct zones or landscapes stand apart yet remain bound by repeating motifs or markers of meaning, memory, or data.

Three distinct zones or landscapes stand apart yet remain bound by repeating motifs or markers of meaning, memory, or data.

Lost Connection explores the fragmentation of meaning and the decay of informational structures over time. Using repurposed elements from earlier

A transitional space that follows significant events—a moment of pause, the onset of recovery, of stillness. It is a place

Untitled ( The Parallax View ) began during a time of profound uncertainty. The canvas was, at first, a monument—something

60cm x 40cm / 23.6 x 15.7 in. Mixed media on board. 2018-2025 #mixedmedia #board #visualcommunication #analog #digital #art #artist

Recovered domestic paper and card waste, wood. 135cm x 135cm / 53.1 x 53.1 in. 2017-2025 #recycled #paper #domestic #mixedmedia

Mixed media on board 42cm x 55.5cm / 16.5 x 21.8 in. 2025 #mixedmedia #board #visualcommunication #analog #digital #art #artist

An exploration of the grammar of our navigation in the digital realm. Up, down. Left, right. Scroll up. Scroll down.

Maighdean Mhara, is rooted in reflection, distance and the resonance of place and time in memory. Initially conceived through a

Untitled One Mixed media on canvas 50cm x 70cm / 19.6 x 27.5 in. 2025 #visualcommunication #analog #digital #art #artist

Christopher Wishart – Ctrl/Cmd + V Ausstellung – Zum Schmale Wurf
Christopher Wishart – Ctrl/Cmd + V Ausstellung – Zum Schmale Wurf 11.01 — 09.02.2025 Vernissage 11.01.2025 15 Uhr – 18

New canvas, part of a series of larger scale experimental works. ‘Untitled’ – can be viewed at Eleven Ten Studio

Exhibition at Eleven Ten Studio
Joint exhibition with Geneva based Artist Yan Balestra, at Eleven Ten Studio in Basel. September 5th to 28th 2024. Opening


Fifty MDF 40x40cm Boards Collage Series
Fifty if it was one. As a frequent visitor to the recycled materials and crafts supplies hub Offcut at Dreispitz


Nine new paintings in mixed media format. These being part of a development process with a view to completing larger

#2 – ‘Paints Her Tits Online For Cash ( Jumping Countdown 0:01 )’ – Carbon paper drawing on White 200gsm

#1 – ‘Amman Utah Potash Fucked Mitsubishi Algorithm’ – Carbon Paper drawing on 200gsm 450mm x 320mm. A small series

New commission work. Triptych collage. 1.2m x 1.8m Graphite, Acrylic, Felt-tipped Pen, Bleach, Glue paste, Carbon paper on three wooden

Nothing quite like a blank canvas. Robert Rauschenberg with his ‘White Painting‘ from 1951, and Jens Haaning with his (

“Think about the strangeness of today’s situation. Thirty, forty years ago, we were still debating about what the future will